At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors' experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.

At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors' experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.

Drawing on extensive scholarship and the poet's own inimitable letters, this edition offers a wealth of information on Burns's life, the hardships of his early days, his political beliefs, his hatred of injustice, and his fate as a writer too often sentimentalized by biographers and critics. Through his poetry, and as if for the first time, we see Burns as a radical figure in a British as well as a Scottish context, the peer of Blake, Wordsworth, Coleridge, Keats, and Byron in the revolutionary and repressive world of the 1790s. Containing recently attributed and never-before-published poems demonstrating that the poet's political sympathies were more radical than he could safely put his name to in public, The Canongate Burns also includes the sexually scandalous verses known as "The Merry Muses, " originally circulated only in handwritten copies. This major and definitive edition offers vitally fresh insights into the irreverent spirit and the democratic convictions of Scotland's greatest poet. "A magnificent and definitive work of scholarship." -- Colm Toibin, The Independent "The Canongate Burns is a very fine edition, and the long introduction ... is alone worth the cover price." -- Andrew O'Hagan, The Scotsman "This scholarly and comprehensive edition of his poems puts those much-loved fragments of wit and whimsy in their full context." -- The Sunday Telegraph